That Floating Excrement Was Far Too Symbolic! It's the TV Disappointments of the Year.

Looking back, we reflect on the television offerings of the past year, a selection of series emerge not for their brilliance, but for their notable failures. Ranging from awkward sequels to confusingly poor docuseries, here are the productions that left us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Plagued with woeful scripts, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to justify its existence. For a moment, as the final season began, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the showrunner declared this would be the final season. It ended on a bum note; the lingering shot of Miranda’s loo flooded with poo was simply too symbolic. Still, fans certainly found joy picking apart every single “what on earth?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't let out a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this drama's issues. The recipient of a exceedingly uncommon no-star assessment, it was difficult to know where to begin listing the flaws. The hilariously wooden writing? The tedious veneration of wealth and consumption? The seemingly deliberate procession of tropes? Acting so poor they felt almost spiteful? Let’s just say “all of the above” and forget about this series again. However, a second season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the restraining orders, abuse claims and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various bouts of reckless excess while failing to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any pity this series might evoke should be reserved for the people who have had to endure proximity with this charismatic but dismissive narcissist.

The Supercomputer Drama

Naturally we knew it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy figures convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate unconvincing dialects. But there were plenty of other issues. Mainly that it was just really boring; a conflict over drug-selling territory between various cockney picaresques which seemed rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into twee lifestyle as deliberate provocations. But then you watch them and are forced to concede that in this case, they might have a point. It’s like watching a lifestyle magazine animated; a poster for wine o’clock with ideas of grandeur; a parade of snoozing dogs, humming beehives, Hallmark sayings and forgettable crafting “tips” you’ll forget instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be said about regarding Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to say them. Rather, the experience was like reading a sales catalogue. She obviously has every right to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this guarded letdown of a series.

The Game Show

It had the potential to be the next big hit – except even more extravagant, with a famous star playing dead and a well-known personality overseeing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up reeking of a programme that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The expectation was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Instead, the series struggled painfully to find the right tone, lurching from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Complex? Arguably. A total mess? Absolutely.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a breakthrough that could ruin society? No! This globe-trotting thriller about secret services spying on – and eliminating – academics honestly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator notorious for sexual exploits as she undertook her most extreme challenge yet. What on earth would motivate her? What we craved was far greater interrogation of her true psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to drag her son out of the queue. What we got was horrific imagery and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Jon Estrada
Jon Estrada

A professional gambler and writer with over a decade of experience in casino gaming and strategy development.